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The New Voice.
The freshest coaching combination the ascendant era produced.
A rhythm worth tracking.
Gwen Stefani's arrival in season seven was the most culturally interesting coaching debut the show had seen since its first season. She and Pharrell Williams brought a different musical register to the chairs — pop and hip-hop alongside the country-rock axis Blake Shelton and Adam Levine had anchored for six cycles. The blind auditions carried genuine unpredictability about who would turn for which singer. That coaching friction made the recruiting sharper and the season more watchable than most peers.
The #06 slot.
Slot #06 of 10 in the The Voice Editor's Canon. The seasons on either side show what I ranked it against.